Awa-Awa is another onomatopoeic word that means “soap bubbles” in Japanese.

I must admit, ever since I have gotten my knitting machine back in 2011 in Japan I have discovered a whole new way of looking at hand knitting in absolutely new angle! Machine knitting and hand knitting couldn’t be any different from each other. Complete polar opposites in my mind, but the thinking that machine knitting triggers for a hand knitter is so illuminating and it opens up a well of new techniques and ways to explore that knowledge and implement it if possible into hand knitting! I remember talking to my friend and fellow designer Kirsten Johnstone , who together with her friend Suzie Fry just had taken their machine knitting course and we got into conversation about how various techniques can be achieved. My excitement about my new “toy” often wouldn’t let me sleep. As I explored around in search of any machine knitting courses while in Japan, I was out of luck for not being fluent in Japanese to take them. Machine’s manual, YouTube videos. Numerous swatches later I felt like I was learning a new language. Even though it is still both knitting, they reside in separate universes. Later on thanks to Marianne Isager who introduced me to Mette Hyllested-Winge, Danish machine knitwear designer living in Tokyo at the time, who basically became my machine knitting teacher. She let me ask all the questions and work out all possible ideas I had brewing in my head. I have been so lucky to have met her! Engaged into two different worlds of knitting we often spent hours and hours contemplating and bouncing ideas off of each other, and get inspired by one another! That’s how I have discovered what is called “plating” in machine knitting world, which Awa-Awa’s technique is inspired by.

When Carrie (editor of Making magazine) approached me about my submission for DOTS issue , I had way too many ideas. I had some still lingering from my mini-collection with Quince & Co called Circles+Dots and I had just heard about Yayoi Kusama’s exhibit coming to a museum DC with a retrospective show. She is the world known Japanese artist famous for her works reflecting love of polka dots, circles and their infinite use among many others. I was eager to dive into the process and explore, to swatch and discover which marriage of stitches, yarn and color might be the best option to fit the indigo-themed issue. Several attempts and stumbles later resulted in a pile of new swatches and techniques, where Awa-Awa‘s patterning resonated both with Carrie and me. But why is it that I enjoy the process of development so much – I got 3 more solid concepts using circles, that I filed it in my “ideas bank” to knit up later.  For me personally, this is just an example how endless swatching and brainstorming can lead one thing to another, and end up being something that can be knit and hopefully enjoyed when being knit and worn by others as well. And remember, inspiration is all around us, sometimes you just need to look down, like this awesome manhole cover I photographed somewhere in Japan.

Just as in any knitting with color, picking them can present a challenge, so I have swatched several options for you to consider based on the color values.

The yarn used, Woolfolk Tynd, comes in an array of colors that you can carry together and pairing them together can produce truly different effect each time.

Left to Right : High Contrast, Medium Contrast, Low Contrast.

In original Awa-Awa I used Woolfolk Tynd in color 1 (white) and color 9 (light blue), which created a combination somewhere between a low and a medium contrast fabric.

But what’s so great about a range in colors is that you can pick your own and choose how pronounced and sharp you wish your “bubbles” to be visible.

High Contrast Swatch shows the polar opposites and among favorites of mine for daily wear: Black and White. Quite stark and bold as a result, this swatch used color 1 (white) and color 15 (black).

Medium Contrast Swatch has quite a bit of bright color in it, but the effect is moderate and both “bubbles” are equally noticeable without harshness of the lines. This swatch used color 7 (medium bronze) and color 14 (pine green).

Low Contrast Swatch of mine still shows quite a bit of color, but the values are much closer. This swatch used color 4 (dark grey) and color 12 (burgundy).

And here are the same swatches again only converted into greyscale, where all the color is removed, but you can see the values and their contrast. If you are interested to learn more about picking your colors using value scale, you should read this wonderful 2 part blog post from Jared.

The techniques used in Awa-Awa are not complex, you need to know how to do some basic colorwork here and there. Within the pattern you will find tips and details on how to trap all your floats, and you’d trap them in pattern. Since this is a wrap and you wouldn’t want any floats catching on jewelry or buttons, and it simply makes a nice clean finish on the wrong side as well. With this technique you don’t have to utter world “intarsia” and the shapes that you can create are limitless – circles, diamonds, squares, hearts… anything you desire and put your needles to!

Currently, the original Awa-Awa Wrap sample is on it’s way to Loop London and you will be able to touch and try it on there very soon along with a couple of my other trunk show pieces for the couple of months.



…in Danish that is!

But GULD is also my new deep V-neck pullover design for Woolfolk LUFT collection, that just launched on Earth day. I feel lucky to be in this group of talented designers showcasing Woolfolk’s brand new yarn called LUFT, literally meaning “air” in Danish. And it, in fact, feels just like air! What strikes you right away is the juxtaposition of bulky gauge yarn and how extremely lightweight the yarn feels in a skein, but also the feather light garments it produces. And that makes you really wonder what is this yarn and how is it made!? LUFT has an unusual construction of organic pima cotton cage or a tube that gives that crisp feeling once you handle it, but the inside of that tube is still filled with amazing Ultimate Merino® fibers!

Once you have worked through the skein or two, you experience this deja vu feeling as if you are working with cotton, except you are not, not really. The “hand” of this yarn is truly unique, you feel you are being constantly deceived whether it’s cotton as  you might feel the subtle grab on the needle, except the peeking through fibers help it move along and knit up very fast. Once washed and blocked the yarn blooms even more, the tube allows just enough of the fibers to show and bloom through, and the difference in color of the cotton and the fibers create this really dimensional effect in the finished garment or accessory. Just like in my GULD here, the color is L.04, the cotton tube is of medium grey hue, while the fibers inside are vibrant ochre color, and when mixed in they produce this muted, complex, yet sophisticated color.

I wanted to create a sweater design that would feature the most qualities of LUFT and to do that I have chosen to create an updated classic pullover. V-neck is deep but easily can be layered with a camisole underneath. Slipped garter rib trims and all over garter stitch give it this sumptuous all over texture. But modern fit and updated details turn the process of making it fun, while still keeping it as an intermediate level project. Front and back have a little bit of hem difference and a split. Both are worked flat, then seamed at the shoulders with an exposed seam. The sleeves in turn are shaped in the round with sleeve cap for a modified drop shoulder, which is then set in using Mattress stitch. Same seaming technique is used for the side seams. And with subtle positive ease, this pullover is really great for several of the seasons and the transitional weather, whether layered or worn on it’s own, it still feels light as air.

photos ©woolfolk and vanessa yap-einbund



As it’s true for many, most of the process on each of my designs often takes place over a period of time. Sometimes it’s months, sometimes years!
Having ideas in my notebook sitting around awaiting that perfect match with yarn to be made. But sometimes it’s the yarn color(s) that strikes the inspiration pot to start churning.

Last year I was visiting my parents and the weather has been quite typical for their summer, numerous thunderstorms and couple of hot days, but the views afterwards have been quite stunning that I had to document them. As I kept looking at those images when I got back home I got reminded about 2 sets of gradient kits that I got from Miss Babs trunk show hosted at Fibre Space the year before. I’ve bought Taurus and Ursa Major colors without a design or idea in mind, simply because I was being drawn to that unusual color combination.

The rolling cloud shapes are very often interpreted in variety of ways in knitwear, but for striped wave effect I wanted to have the most of color visible as possible! Old Shale is probably one of the oldest stitch patterns around that I could immediately think of when wanting to create waves with the stripes and through years there have been so many wonderful renditions in different designs of it. I wanted to do something different, I definitely didn’t want to do lace. I wanted for the texture to be as much of a key player as the color of these beautiful gradients and with them being worked in a way that would showcase each color when worn. The most exciting part for me as a designer these days is the mathematical puzzle that a stitch pattern can present. Settling in with some graph paper and a pen first, then some charting software on the computer, I created first couple of increasing motifs that made me giddy with excitement as I dug into my swatch. How long and how wide… but the idea of having all this is shaping to be incorporated directly into the patterning indeed have worked out!
Math, you thing of beauty that make this knitter’s heart sing!

I rated this pattern as Beginner Intermediate, which is a rare one for me. Those who have knit several of my patterns know that I love puzzles and creating patterns that teach or have some unusual twists to them! All you need to know is to how cast on, knit, purl, increase, decrease, bind off! I am also offering a narrower, scarf-like size of Denpa, just in case you are not used to or not keen on wearing wide shawls as much!

The thing about stripes is that if you cannot find a gradient kit available to you or if you don’t have enough yardage, you can easily customize and substitute the ombré dyed yarns with solid dyed colors. Find a yarn that you love and that has a big range of colors available, so that you can build your own gradient. And it doesn’t have to be 2 gradients, you can choose to do 1 gradient but for the contrast pick one color only that would compliment and work with all of the colors of that one gradient. You can put the solid color into foreground or into background. You can do the entire wrap in 2 colors only. The choices are endless! Just let your creativity and imagination loose and I am sure you can find the right color and yarn for your Denpa to make it unique, and to enjoy knitting and wearing it!

You can find more details on Denpa pattern here. And don’t forget to check Denpa projects already in progress on Ravelry.
Remember, if you share your project on social media/Instagram, make sure to tag it so I can see it #denpashawl


More FW2017 runway knitwear

Today’s post is about probably one of the exciting colors that was seen on the runway – ORANGE! It is among my favorite colors, but even that doesn’t mean that I wear it a lot. I personally prefer to have it in the accessories, that’s why I unearthed my stash of now discontinued Shibui “Merino Alpaca” and in their now discontinued color “Jumpsuit” to work up some sort of accessory for the next season for myself to wear. It’s a tough color for many, or as me and my friend like to say that it’s all about the “good orange” that works. And to me this is in the top of the best oranges! One may find that it’s much easier to style the slightly subdued and sophisticated rust orange, which brings back memories of the origins of knitting for me. The color of yarn that my mom gave me when she taught me how to knit when I was 4… now that’s the color of orange many can wear in a sweater or other larger sized garment.


All images from